Tap to unmute. It's an interesting watch, and you could do a lot worse, but it's no masterpiece. Get the latest news on FIAF events and classes, and receive special disxounts, exclusive invitations, and more! One of the original critics turned filmmakers who helped jump-start the French New Wave, Jacques Rivette began shooting his debut feature in 1958, well before that cinema revolution officially kicked off with The 400 Blows and Breathless. Film Review for Paris Belongs to Us Synopsis. CinéSalon is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Watch later. Get exclusive discounts and the latest news on events, classes, and more. | Paris Belongs to Us. Share. On the other hand, it also touches the political situation of the 50s. I don't get what this film was trying to achieve. Should seem obvious at this point that you don't get to discuss youth and radicality in the 60s without discussing serious attempts to establish new groups and new psychosocial formations in relation to groups. Friends, people with similar interests.. acquaintance networks - this is something that is presented very well in the film. Betty Schneider is a student who gets involved in small acting troupe. A neighbour of the room is in a frenzy, stating that his brother Juan (refugee from … France, 1961. This first feature was disappointing to me. Paris Belongs to Us is a French new wave film directed by Jacques Rivette and starring Giani Esposito, Betty Schneider, Françoise Prévost, Jean-Claude Brialy, Monique Le Porrier, Malka Ribowska, Louison Roblin, Anne Zamire, Paul Bisciglia and Jean-Pierre Delage. The story is rather strange, as it appears to be non-linear and occasionally irrelevant, but it seems to work out at the end. I suppose that's a bit of an oxymoron: to blend New Wave and classical literature. Paris belongs to us because Rivette — like Hugo, Eugène Sue and Balzac — gave Paris to us: “A film is, in general, a story built upon an idea; I tried to tell the story of an idea, with the aid of the detective story form; that is to say that, instead of unveiling primary intentions at the … There's also a really terrific score, probably one of the best for this genre. If you like David Lynch's films, you might enjoy "Paris nous appartient". User Ratings Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Might have been better with the running time cut and a new ending. PARIS BELONGS TO US Paris nous appartient. Music and camerawork are very unusual, the latter making the film rank among the best of the European New Wave. If playback doesn't begin shortly, try restarting your device. 14 Reviews 250+ Ratings You might also like Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Paris Belongs to Us - Trailer. Paris Belongs to Us - Trailer - YouTube. This isn't The 400 Blows or breathless or even Le Beau Surge. 142. I've only seen The Nun before and I enjoyed it. The film mentions creeping fascism in the forms of McCarthyism in the US and the Franco regime in Spain. Rivette is perhaps the least known of the 5 Cahiers directors of the New Wave. You're signed out. | Anne Goupil (Betty Schneider) is a literature student in Paris in 1957. As the rehearsals proceed, she notices odd things, and begins to suspect some secret organization is responsible for the death of the American journalist, novelist and music composer for the show, Daniel Crohem. By the end, I could care less and it turned out to be much ado over nothing (Shakespeare). AKA: Paris nous appartient, Paris Is Ours. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. But, the Spaniards chose suicide over murder. Videos you watch may be added to the TV's watch history and influence TV recommendations. At the same time a production of Shakespeare's Pericles is being attempted and although I do not know the play I understand the problems of staging it is an ongoing feature and the unresolved nature of much of the play is reflected here in the story of alienated 'youth'. Awards This is an unusual film. She meets more and more people and keeps asking questions, and finally . One of the original critics turned filmmakers who helped jump-start the French New Wave, Jacques Rivette began shooting his debut feature in 1958, well before that cinema revolution officially kicked off with The 400 Blows and Breathless. If the film had difficulties back in the day it would seem it has even more now. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. The young men look far too old to be going around acting in the way they do yet we are presented with this bunch of alienated persons, alienated either by their own existentialist attitude and stated beliefs or their immigrant status. A young woman becomes interested in a play director after a paranoid, greasy-haired man tells her that the director will die soon, but can explain no more. Jacques Rivette, 1961, 141 min Made on small budget, “Paris Belongs to Us” is an early example of the French New Wave, later popularized by Chabrol, Truffaut, and Godard. Paris belongs to no one. However, unfortunately, the end is a complete disappointment, as it attempts to hammer home some political viewpoints that just end up being confusing, and then coasts to a unsatisfactory finish without really tying up any of the loose ends. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Paris Belongs to Us. You Either Dig This Film Or You Don't. Ultimately released in 1961, the rich and mysterious PARIS BELONGS TO US offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Paris Belongs to Us (French: Paris nous appartient, sometimes translated as Paris Is Ours) is a 1960 French mystery film directed by Jacques Rivette and starring Betty Schneider.Begun in 1957 and completed three years later, it was then-critic Rivette's first full-length film as a director and one of the first works of the French New Wavecritic Rivette's A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger. 6 years ago | 987 views. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. Basically a pretty, naive girl gets involved with a bunch of pretentious a-holes who suggest a suicide was a murder and she tries to play amateur detective. A young French girl becomes embroiled with some young Spaniards, who fear for their lives in regards to some organization is out to get them becuase of some supposed involvement in a conspiracy. | Paris Belongs to Us ★★½ Paris Nous Appartient; Paris is Ours 1960An early entry in the French “new wave” of naturalistic cinema, this psychological mystery drama has a woman investigating a suicide linked to a possible worldwide conspiracy. FIAF Members will receive the free access code for the film via email. Paris Belongs to Us subtitles. P aris Belongs to Us, Jacques Rivette’s first feature, was written in 1957 and shot from July to November 1958. Picture 9/10. Follow. “It belongs to us!” shouted a Black woman watching the trial, breaking down in tears and storming out after a lawyer for Paris’ Quai Branly Museum insisted that its holdings — including tens of thousands of artworks from former colonies — belong to the French state. Mystery. Paris Belongs to Us Trailer. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Series curated by FIAF Film Curator Delphine Selles-Alvarez with Louise Bertin. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. Info. Paris Belongs to Us still comes with a feeling of top down control that stifles them. Directed by. The black and white cinematography suits the tone perfectly, even if the very poor quality of the film makes it hard to tell, and it's supported by some disorienting editing and a great use of light and shadows. We have a rather intimidating tappestry here at first sight, about a web of Parisian lives connected to each other and informed by a bunch of nested references. Director Doris Mirescu and her Dangerous Ground Company hit the Brick with the second piece of a trilogy devoted to the films of Jacques Rivette. I assume Rivete was a leftist so is he criticizing them or supporting them? External Reviews Richard Peña: “A lesser-known but still crucial masterwork of the French New Wave, Rivette’s debut feature stands as a remarkable premonition of the Sixties, when a group of young people—some vaguely involved in politics—become increasingly afraid of dark forces that threaten to engulf them all.”, “Rivette’s tightly wound images turn the ornate architecture of Paris into a labyrinth of intimate entanglements and apocalyptic menace; he evokes the fearsome mysteries beneath the surface of life and the enticing illusions that its masterminds, whether human or divine, create.” – The New Yorker. The overall existence of conspiracy is very appealing, as is the innocent character of Anne. Anne Goupil is a literature student in Paris in 1957. Copy link. Interesting, if somewhat dated by Cold War elements. The story takes place in Paris from June 1957, it is a very gloomy period of the history of France: there is a deep political and economic instability as well as a climate of general tension for the Cold War (France was losing the french colonies in Africa, claimed by the natives). Trailer Movie. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. 120m/B VHS . Shopping. In French with English subtitles. Trailer. Paris Belongs to Us: | | | Paris Belongs to Us | | | | D... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. One has fled Spain another the fruits of Mccarthyism in the US and all meet and disperse, foretelling of doom, murder and suicide. Jacques Rivette finally appears in the Criterion Collection with Paris Belongs to Us, his … Paris belongs to us because Rivette — like Hugo, Eugène Sue and Balzac — gave Paris to us: “A film is, in general, a story built upon an idea; I tried to tell the story of an idea, with the aid of the detective story form; that is to say that, instead of unveiling primary intentions at the end of the story, the denouement can’t do anything but abolish them: ‘Nothing took place but the place.’” Paris Belongs To Us, which runs a mammoth 141 minutes, has so many characters and it’s sometimes difficult to keep track; narratively, it feels more like a debut novel than a debut feature. Dir. © French Institute Alliance Française (FIAF) | Privacy Policy. This film develops an atmosphere of sheer mystery, which will never be solved completely. (aka Paris Nous Appartient) In Jacques Rivette's low-budget, French New Wave debut film - a frustrating, dark, doom-laden, psychological thriller-mystery set in 1957 Paris: Jacques Rivette made his first feature with little money and great difficulty between 1958 and 1960. . This is perhaps because the criteria for being part of the group are so 'normal'. I equate New Wave to free-form jazz which trashed the standard classical music structure in favour of expression & improv. Even though the film runs 140 minutes, it never really feels boring, as the conversations between characters are gripping enough to keep the viewer's interest. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. “Paris Belongs to Us” (French title: “Paris nous appartient”) is the first feature by Jacques Rivette (“Celine and Julie Go Boating”), a former critic for Cahiers du Cinema. Metacritic Reviews. A rather wordy first feature from Jacques Rivette set in 1957 and probably filmed that year as we know it took some time to get a release. She becomes an actor in his play and meets his strange friends, including his unpleasant girlfriend. The story takes place in Paris from June 1957, it is a very gloomy period of the history of France: there is a deep political and economic instability as well as a climate of general tension for the Cold War (France was losing the french colonies in Africa, claimed by the natives). A few critics, noting Rivette's general lack of recognition in comparison with Truffaut, Godard, Rohmer and Chabrol, have wondered if his "late start" might have had anything to do with it; this film didn't have its American release until 1962 or a British premiere until 1964 by which point the New Wave was already a well-established "movement" in people's minds and this long 16mm talk-fest about conspiracies and theater must have looked weird and out of place even compared to the experimentation of Godard. FAQ 1961, Mystery and thriller/Drama, 2h 18m. Synopsis. It's mostly her confronting different people who tell her enough to keep her interested but no evidence is found. To a mysterious suicide and a missing sound tape, to a staging of a Shakespeare play as mirror of the film we are watching, to shadowy conspiracies supposedly pulling the strings of what we see from a higher, unseen level. After having seen it, I still did not know what it was really about. It revolves around a group of characters that are slightly connected to each other through their artistic tendencies and/or political beliefs. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. Jacques Rivette. The film was released on December 13, 1958. Paris Belongs to Us: in brief. | Paris Belongs to Us (1961, Fr.) She also learns that he longs for a certain musical recording on which another mysteriously doomed man played guitar. CinéSalon is supported by BNP Paribas and Sofitel. Paranoia, Pericles, and a mysterious Paris at the beginnings of the House of Fiction, Surprising blend of New Wave and classical literature, Gripping and interesting with a disappointing end, The young men look far too old to be going around acting in the way they do, One of the Nouvelle Vague revolutionary portraits, decoding and renovating the crime genre. After all, New Wave is the cinematic movement that prided itself with trashing the standard literary formula. Her elder brother, Pierre, takes her to a friend's party where the guests include Philip Kaufman, an expatriate American escaping McCarthyism, and Gerard Lenz, a theater director who arrives with the mysterious woman Terry. Paris belongs to us. . With Betty Schneider, Giani Esposito, Françoise Prévost Synopsis: Anne is a young, curious and innocent student. :It's 1957. Paris Belongs to Us (French: Paris nous appartient, sometimes translated as Paris Is Ours) is a 1961 French mystery film directed by Jacques Rivette. If playback doesn't begin shortly, try restarting your device. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. By Luc Sante. But is it all just paranoia? Not in the sense an American film like this would. Set in Paris in 1957 and often referencing Shakespeare's play Pericles, the title is highly ironic because the characters are immigrants or alienated and do not feel that they belong at all. Suffused with a lingering post–World War II disillusionment while also evincing the playfulness and fascination with theatrical performance and conspiracy that would become hallmarks for the director, Paris Belongs to Us marked the provocative start to a brilliant directorial career. Paris Belongs to Us DRAMA One of the original critics turned filmmakers who helped jump-start the French New Wave, Jacques Rivette (La belle noiseuse) began shooting his debut feature in 1957, well before that cinema revolution officially kicked off with The 400 Blows and Breathless. Great location work and photography but way too long. The group is presented well - it is quite realistic, even though it is so colourful. 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